INSTALLATION / VIDEO
交互装置案例 Interactive Installation Case 木罅载时 Time Held in Wood’s Fissures
以一段悬置的枯木为视觉主体，将自然遗存、数字影像与交互生成置于同一展览空间之中。枯木表面的裂隙、孔洞、纹理与弯曲形态，保留了生长、风化与时间侵蚀留下的痕迹，也像是一段被自然封存的生命档案。
罅隙之中藏着时间
Time Hidden in the Fissures
以一段悬置的枯木为视觉主体，将自然遗存、数字影像与交互生成置于同一展览空间之中。枯木表面的裂隙、孔洞、纹理与弯曲形态，保留了生长、风化与时间侵蚀留下的痕迹，也像是一段被自然封存的生命档案。作品以枯木为镜，并不将其视为沉寂的残骸，而是将木罅中的肌理脉络转化为可被读取的自然信号。观众在观看时，会同时面对实体木体的静默、屏幕中粒子影像的流动，以及声音与诗句缓慢生成的过程，感受自然从未真正沉寂的内在回响。
Time Held in Wood’s Fissures takes a suspended piece of withered wood as its central visual form, bringing together natural remains, digital imagery, and interactive generation within one exhibition space. The cracks, cavities, textures, and curved structure of the wood preserve traces of growth, weathering, and the erosion of time, like a life archive sealed by nature. Using the withered wood as a mirror, the work does not regard it as a silent remnant, but transforms the veins hidden within its fissures into natural signals that can be read. As viewers encounter the stillness of the physical wood, the flowing particle imagery on the screen, and the gradual emergence of sound and poetry, they sense the inner resonance of a nature that has never truly fallen silent.
INTERACTION
扫描唤起自然密语
Scanning the Secret Speech of Nature
作品通过激光扫描与红外感应捕捉枯木的肌理脉络、孔洞结构和空间走势，并借助Arduino联动Max/MSP与TouchDesigner构建交互中枢。扫描完成后，系统将木体形态转化为可供人工智能算法识别的自然信号，进而生成左侧屏幕中的粒子化视觉、声音变化与相关诗句。虫鸣、林风、鸟语随木纹起伏而展开，光点与色彩则沿着枝干形态流动。观众无需进行复杂操作，只需在现场观看扫描、识别与生成的连续过程，便能见证枯木从静止物体转化为影像、声响和文字的过程。
Through laser scanning and infrared sensing, the work captures the wood’s textures, cavities, and spatial movement, while Arduino, Max/MSP, and TouchDesigner together form the interactive core. Once the scanning process is completed, the system translates the form of the wood into natural signals that can be interpreted by AI algorithms, generating particle-based visuals, sonic variations, and related poetic lines on the left screen. Insect sounds, forest wind, and birdsong unfold with the rise and fall of the wood grain, while points of light and color move along the structure of the branch. Viewers do not need to perform complex actions; by witnessing the continuous process of scanning, recognition, and generation, they observe how a still piece of wood becomes image, sound, and text.
SYSTEM
技术退后诗意生长
Where Technology Becomes Atmosphere
《木罅载时》的核心并不在于展示技术本身，而在于借助技术重新打开人与自然之间的感知关系。激光扫描像一只缓慢移动的眼睛，读取枯木深处的时间纹理；人工智能则像翻译者，将裂隙、孔洞与枝干走势转译为粒子、声音和诗句。木罅之间，光影流转如时空穿梭，数字影像不再只是屏幕中的图像，而成为自然生命痕迹的另一种显影方式。作品在枯寂与生长、物质与数据、自然与智能之间建立起细微联系，使展览空间成为一处关于时间、生命密语与数字感知的诗性现场。
The focus of Time Held in Wood’s Fissures is not to foreground technology itself, but to reopen the sensory relationship between human beings and nature through technological means. Laser scanning moves like a slow eye, reading the textures of time within the wood; AI acts as a translator, turning fissures, cavities, and branch movements into particles, sound, and poetry. Within the cracks of the wood, light and shadow shift like passages through time, and the digital image becomes more than a screen-based visual—it becomes another way for the traces of natural life to appear. Between stillness and growth, matter and data, nature and intelligence, the work forms a delicate connection, turning the exhibition space into a poetic site of time, hidden life, and digital perception.