INSTALLATION / VIDEO
交互装置案例 Interactive Installation Case AI实时手势绘画 AI REAL-TIME GESTURE PAINTING
作品以传统山水卷轴为视觉基础，通过手势识别将观众的身体轨迹转化为数字线条，并生成山体、云气与水墨层次，使山水成为可触发、可参与、可不断生长的动态画境。
手势写入山水长卷
Gestures Enter the Scroll
作品以传统山水卷轴的观看方式为视觉基础，将手势绘制、数字线条与山水影像生成置于同一动态画面之中。画面中的左右卷轴形成一种并置关系：一侧记录观众留下的青绿色轨迹，另一侧则将这些轨迹转化为更具山水气息的影像层次。作品并不呈现一幅静止完成的山水画，而是展示山水被生成、被展开、被观看的过程。观众在观看时，会看到身体动作如何成为新的笔触，也会感受到传统山水在数字媒介中缓慢生长的空间意味。
The work takes the viewing mode of traditional landscape scrolls as its visual foundation, bringing together gesture drawing, digital lines, and the generation of landscape imagery within a moving image. The two scrolls form a parallel relationship: one records the viewer’s turquoise traces, while the other transforms these traces into layered images with a sense of landscape. Rather than presenting a finished and static painting, the work reveals how a landscape is generated, unfolded, and viewed. In this process, bodily movement becomes a new kind of brushstroke, allowing traditional landscape imagery to grow slowly within a digital medium.
LINE TO LANDSCAPE
线条生成游观之境
Lines Become a Landscape
作品通过交互识别，将观众的手势、触摸或绘制行为转化为可被系统捕捉的数字线条。观众在装置前移动、描画或停留时，身体留下的轨迹首先以明亮的青绿色线条显现，随后被系统进一步转译为山体、云气与水墨晕染般的视觉效果。交互过程并不依赖复杂指令，而是通过直观的身体动作完成。观众既是观看者，也是图像生成过程中的参与者，在输入、转译与显影之间，完成一次从身体痕迹到山水意象的转换。
Through interactive recognition, the viewer’s gestures, touch, or drawing actions are transformed into digital lines that can be captured by the system. As viewers move, draw, or pause in front of the installation, their bodily traces first appear as bright turquoise lines, and are then translated into visual effects resembling mountains, clouds, and ink-like washes. The interaction does not rely on complex instructions, but unfolds through intuitive bodily movement. Viewers are both observers and participants in the image-making process, completing a transformation from bodily trace to landscape image through input, translation, and visual emergence.
GENERATIVE LANDSCAPE
技术退后山水自生
Where Landscape Emerges
作品的核心并不在于展示交互技术本身，而在于借助数字系统重新打开传统山水的生成方式。技术被安置在观看背后，使观众的动作、线条的流动与卷轴影像之间形成连续关系。青绿色轨迹像当代数据的笔墨，山水化的生成结果则回应了传统长卷中“游观”的观看经验。作品在身体与图像、即时行为与古典意象、数字媒介与山水精神之间建立联系，使山水不再只是被观看的对象，而成为一个可以被触发、被参与、被不断生成的动态场域。
The focus of the work is not to foreground interactive technology itself, but to use the digital system to reopen the way traditional landscape imagery is formed. Technology remains behind the act of viewing, creating a continuous relationship between the viewer’s movement, the flow of lines, and the projected scroll imagery. The turquoise traces become a contemporary form of digital ink, while the generated landscape responds to the experience of wandering through a traditional handscroll. Between body and image, immediate action and classical imagery, digital media and the spirit of landscape, the work turns the landscape from an object to be viewed into a dynamic field that can be triggered, entered, and continuously generated.